Le Mal Est Fait is a Film work that draws on the language of staining, water, and fabric to explore emotional residue and psychological entanglement. Filmed at the shoreline, it stages a waning choreography between the body and a white sheet. A vessel marked and manipulated and submerged in an effort to erase. The sea becomes both cleansing force and witness, echoing the ebb and return of trauma. The film reflects on the persistence of memory and the impossibility of full purification.
'Encore Tache (held under)' 2024 | Ink on cotton | left (after sea exposure) right (before sea exposure)